Difference between revisions of "project07:P2"

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== P2 Presentation ==
 
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<div style="float:left; width: 120px; height 30px; border: 1px solid #aaa; margin-right:10px;" align="center">[[project07:Frontpage|'''Introduction''']]</div>
 
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<div style="float:left; width: 120px; height 30px; border: 1px solid #aaa; margin-right:10px;" align="center">[[project07:P1|'''La Valse ''']]</div>
  
 
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<div style="float:left; width: 120px; height 30px; border: 1px solid #aaa; margin-right:10px;" align="center">[[project07:P3|'''Research ''']]</div>
  
 
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== Abstract ==
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Architecture and music has through years and years of evolution found to be very different - yet very similar. Great artists, philosophers and thinkers have discussed their common grounds. In this presentation I will attempt to quantify the qualities of both architecture and music, and formulate a process of transmutating one into another. In this process I will design an auditorium which will facilitate many different musical functions, while at the same time being designed as inspired by music. For the basis of this design I will choose La Valse by Maurice Ravel, published in 1920, which has a clear visual and philosophical statement which lends itself well for the design proposal. <br>
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The location will be chosen in Vienna. An empty garbage site near the center and the Belvedere Palace will provide us enough space for the project. A program will be decided and an algorithm designed in Rhino 6 and the Grasshopper plugin will find for each of the functions the location on site. A 3d Voronoi structure will mimic the floor plan similar to one we can find in the Belvedere Palace - something which surely Ravel had in mind when writing the piece - yet in a more efficient and contemporary manner. A second algorithm uses machine learning in Grasshopper to find a minimal skin through the original volumes to close off the building. <br>
 +
We can attempt to design the inside of the volumes based on the corresponding piece of music of La Valse. I can record a piano performance in a MIDI interface and send the data to my computer, after which I can load it in Grasshopper. Each note played will be represented by a single point. Each of the notes (points) will be projected onto the surface of the volume where the surface will be extruded according to loudness of the note. In this way we have a first crude experiment of translating music to geometry. <br>
 +
To reflect we can find that the process until so far has been very rudimentary and leaves a lot of room for improvement. Especially in later parts where the transmutation has become tangible, we can see that the results are not yet what we had hoped for. This can be improved by either increasing the detail of the process, or we can alter the process altogether so that the process of transmutation will become one of simplicity, ratio and elegance.
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== Presentation ==
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[[File:ROELP2Slide1.JPG|850px]]
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[[File:ROELP2Slide34.JPG|850px]]
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<html>
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<iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/Phbb5UkjJOo" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide36.JPG|850px]]
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[[File:ROELP2Slide40.JPG|850px]]
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<html>
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<iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/sWGy4CCIue8" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html><html>
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<iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/0KOdC0cGIdI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide43.JPG|850px]]
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[[File:ROELP2Slide39.JPG|850px]]
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[[File:ROELP2Slide48.JPG|850px]]
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/rnprb89cmPE" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide50.JPG|850px]]
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[[File:ROELP2Slide61.JPG|850px]]
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/W9En3uotd2Y" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide63.JPG|850px]]
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/vPZdLh91QvI" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide69.JPG|850px]]
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[[File:ROELP2Slide70.JPG|850px]]
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[[File:ROELP2Slide71.JPG|850px]]
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/8KAUUzPtEqQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/3jT_caNFPnw" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide74.JPG|850px]]
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[[File:ROELP2Slide75.JPG|850px]]
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[[File:ROELP2Slide76.JPG|850px]]
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[[File:ROELP2Slide77.JPG|850px]]
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<html><iframe width="850" height="478" src="https://www.youtube-nocookie.com/embed/lLZpWxEP9Dg" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
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</html>
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[[File:ROELP2Slide79.JPG|850px]]
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[[File:ROELP2Slide81.JPG|850px]]
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[[File:ROELP2Slide82.JPG|850px]]

Latest revision as of 13:15, 15 November 2018

P2 Presentation

Abstract

Architecture and music has through years and years of evolution found to be very different - yet very similar. Great artists, philosophers and thinkers have discussed their common grounds. In this presentation I will attempt to quantify the qualities of both architecture and music, and formulate a process of transmutating one into another. In this process I will design an auditorium which will facilitate many different musical functions, while at the same time being designed as inspired by music. For the basis of this design I will choose La Valse by Maurice Ravel, published in 1920, which has a clear visual and philosophical statement which lends itself well for the design proposal.
The location will be chosen in Vienna. An empty garbage site near the center and the Belvedere Palace will provide us enough space for the project. A program will be decided and an algorithm designed in Rhino 6 and the Grasshopper plugin will find for each of the functions the location on site. A 3d Voronoi structure will mimic the floor plan similar to one we can find in the Belvedere Palace - something which surely Ravel had in mind when writing the piece - yet in a more efficient and contemporary manner. A second algorithm uses machine learning in Grasshopper to find a minimal skin through the original volumes to close off the building.
We can attempt to design the inside of the volumes based on the corresponding piece of music of La Valse. I can record a piano performance in a MIDI interface and send the data to my computer, after which I can load it in Grasshopper. Each note played will be represented by a single point. Each of the notes (points) will be projected onto the surface of the volume where the surface will be extruded according to loudness of the note. In this way we have a first crude experiment of translating music to geometry.
To reflect we can find that the process until so far has been very rudimentary and leaves a lot of room for improvement. Especially in later parts where the transmutation has become tangible, we can see that the results are not yet what we had hoped for. This can be improved by either increasing the detail of the process, or we can alter the process altogether so that the process of transmutation will become one of simplicity, ratio and elegance.

Presentation

ROELP2Slide1.JPG ROELP2Slide2.JPG ROELP2Slide3.JPG ROELP2Slide4.JPG ROELP2Slide5.JPG ROELP2Slide6.JPG ROELP2Slide7.JPG ROELP2Slide8.JPG ROELP2Slide9.JPG ROELP2Slide10.JPG ROELP2Slide11.JPG ROELP2Slide12.JPG ROELP2Slide13.JPG ROELP2Slide14.JPG ROELP2Slide15.JPG ROELP2Slide16.JPG ROELP2Slide17.JPG ROELP2Slide18.JPG ROELP2Slide19.JPG ROELP2Slide20.JPG ROELP2Slide21.JPG ROELP2Slide22.JPG ROELP2Slide23.JPG ROELP2Slide24.JPG ROELP2Slide25.JPG ROELP2Slide26.JPG ROELP2Slide27.JPG ROELP2Slide28.JPG ROELP2Slide29.JPG ROELP2Slide30.JPG ROELP2Slide31.JPG ROELP2Slide32.JPG ROELP2Slide33.JPG ROELP2Slide34.JPG ROELP2Slide36.JPG ROELP2Slide37.JPG ROELP2Slide38.JPG ROELP2Slide39.JPG ROELP2Slide40.JPG ROELP2Slide43.JPG ROELP2Slide44.JPG ROELP2Slide45.JPG ROELP2Slide46.JPG ROELP2Slide39.JPG ROELP2Slide48.JPG ROELP2Slide50.JPG ROELP2Slide51.JPG ROELP2Slide52.JPG ROELP2Slide53.JPG ROELP2Slide54.JPG ROELP2Slide55.JPG ROELP2Slide56.JPG ROELP2Slide57.JPG ROELP2Slide58.JPG ROELP2Slide59.JPG ROELP2Slide60.JPG ROELP2Slide61.JPG ROELP2Slide63.JPG ROELP2Slide69.JPG ROELP2Slide70.JPG ROELP2Slide71.JPG ROELP2Slide74.JPG ROELP2Slide75.JPG ROELP2Slide76.JPG ROELP2Slide77.JPG ROELP2Slide79.JPG ROELP2Slide81.JPG ROELP2Slide82.JPG